Wildlife Photography: Tips to Learn the Basics of Wildlife Photography

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If you really want to learn the art of wildlife photography, then you should be aware of the basics of wildlife photography. It is rightly said that wildlife photography is one of the most challenging but rewarding hobby or career. It takes honest practice, persistence and hard work to master the real art of wildlife photography.

For mastering wildlife photography you have to have the basic knowledge of camera handling. As majority of the photos you take will be captured with the help of telephoto lens. This will test your patience and dedication as you have to wait a much longer time for the animal to come in the range and taking right pictures through right angles before that wild animal leaves from the site. Many of the times the animals you want to shoot will be yards away from you so that you have to take your pictures with more precision and care with zoom lenses.

While shooting wildlife you always have to watch out for minute movements happening around you. And for that purpose you have to be attentive for the longer time. The sunlight also plays a very important role in taking these wildlife pictures. For this purpose your camera should have the proper adjustments according to the various angles of sunlight so that pictures will be much clearer without any fuzz.

Also wildlife photography is all about capturing a particular moment of the wildlife. It makes or breaks your photography style. Many of the best wildlife photographers out there are really skillful in shooting the exact speed and momentum of the particular animal they are watching. But to be the best wildlife photographer out there you should first master the basics and you can begin this process by starting to shoot your own home pets. If you learn to shoot their natural movements and habits in their natural style then you can say that you are ready for outdoor wildlife photography.

There are no shortcuts to learn the basics of wildlife photography. Rather you have to practice it religiously and with full devotion. You should have to pay a special attention to your cameras. You have to take care that your camera has a quick shutter speed which is very necessary to take more than one shot as you roam around the wildlife to take pictures. In this type of photography most of the times you have to follow your subject to shoot many pictures at a time in one shot. This process is mainly known as "panning" which consists of taking faster pictures in one snap as you mover closer to a particular animal you want to shoot.

Thus wildlife photography is all about your patience, persistence and shooting skill where you need to wait a longer time to take the perfect picture. But at the end of the day it is also the most satisfying art where you get the really thrilling and enjoyable experience to cherish for.

Christmas Light Photography Tips and Advice

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We're out taking photographs of Christmas lights. There are so many beautiful displays, and we want to capture them on film. So as we prepare to take our pictures of Christmas lights, we back away so that we can capture the entire magnificent scene within our frame.

Correct. But also incorrect, if that's all we do. And this leads to our first Christmas photography tip for illustrating Christmas light displays.

(1) The best Christmas lights photography captures not only panoramic scenes, but also close-ups of the highlights within the panorama. We want both. Let's say that on the sprawling front lawn of a suburban home, we see Santa on his sleigh in one location, and a Salvation Army bell-ringer in a second spot, and a nativity scene someplace else. In addition to our distant Christmas photograph, we can also zero in on each of those three highlights.

(2) Opt for a high shutter speed. We want to illustrate the lights, not the light that they emit. A wide angle lens is for the panorama, and a macro lens is for the close-ups.

(3) Those Christmas light displays are so brilliant in the deep, dark, Silent Night. Maybe so, but our Christmas photography will be lousy at that point. Our photos will show the lights, but not the property in the background. Or, we'll see the property but we won't clearly see the lights, so to speak. Our best bets are at dusk or at dawn, and overcast usually is better than clear sky.

(4) If we're really dedicated and sticklers for perfection, we'll shoot our Christmas photography both at dusk and at dawn. Great photography of any sort is trial and error. Furthermore, if we show up maybe a half-hour before the optimal time, then we can plan our logistics and our camera angles, so that we're ready when the time is right. Extra time = excellence in our Christmas photography.

(5) Let's see here. We have the lights. We have the various props that go with the lights, such as the nativity scenes or Santa on his sleigh. We have the property in the background. Aren't we forgetting something? Oh yes, the sky. The sky! Look at examples of Christmas lights photography that impress you (or even thrill you) the most, and odds are that the sky will play a prominent role. Seek an angle at dusk that shows an afterglow in the evening sky. To include more sky, shoot from a low angle, upward toward the Christmas lighting display and toward the sky.

(6) People. Where are the people? Just because your subject is Christmas lights photography, that doesn't mean the scene must be devoid of people. Have some children pose in the scene, or better yet, just tell them to go ahead and frolic. This can add a unique element to your Christmas lights photography.

SOURCES

http://www.intofotos.com/photography/2007/11/10/how-to-photograph-christmas-lights/

http://strobist.blogspot.com/2006/12/how-to-photograph-christmas-lights.html

http://www.slrphotographyguide.com/tips/christmas-lights.shtml

Tips for Your Commercial Photography Portfolio

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A great commercial photography portfolio is your calling card in the industry, and your ticket to winning clients and landing jobs as a professional photographer. Read on to learn 3 key tips that will help make your commercial photography portfolio shine, so prepare to start getting the gigs you need to advance your career. These commercial photography portfolio tips will take your clips to the next level, so that you can scale the ladder to your dream job.

1. Offer Your Commercial Photography Portfolio In A Variety Of Formats

When you hand out your commercial photography portfolio, one of the things it is crucial to communicate to a client is that when they hire you, you will do everything you can to make his or her life easy. You want to be seen as professional and responsive, and as someone who proactively anticipates your client's needs. One great way to make this impression fast is to have your commercial photography portfolio available in a number of formats, including in print, on CD, and online, as AllArtSchools suggests. When you follow this advice and have print, digital, and virtual clips available, your first question to a client can always be "What's easiest for you?", a sentence that will be music to any prospective employer's ears.

2. Pitch Your Commercial Photography Portfolio Directly To The Job At Hand.

Instead of having one commercial photography portfolio, have several, one targeted to each kind of work you're hoping to do in your career. Have you taken some gorgeous nature images? That's great, but a client who's hiring for a fashion shoot won't care! A prospective employer will hire the person who seems most likely to do a great job on the specific project at hand, so make sure everything in the commercial photography portfolio you hand to a possible client is directly relevant to the task they'll need you to do. Try doing as PhotoCritic suggests, and put together a portfolio of just your fashion work, another that highlights your nature shots, another for photos you've taken of products, and so on for each genre you've got clips for, and are seeking work in. That way, as you move forward in applying for a variety of jobs, you'll always have your most specifically relevant work at your fingertips, ready to impress your next boss.

3. Include The Right Written Information In Your Commercial Photography Portfolio.

As Marketing For Photographers and Photography points out, you don't need to include much written information in your commercial photography portfolio. However, what you do put in can make or break a client's interest in your work. By reducing the amount of text, you help keep your prospective employer engaged with the images you're presenting, which is the goal of your commercial photography portfolio. You don't need to put forward the technical information for each picture, like your equipment choices or shutter speed, because the client only cares about your end result, not about the road you took to get the shot. You should offer a brief description of what each picture is, to provide some context, and a clean, professional, and specific title for each shot, so that it's easy for clients to reference a particular image in your commercial photography portfolio when they're in discussion with you, or with any colleagues who may be involved in making the decision to hire you.

A Look at Some Helpful Photography Websites With Beginner Photography Tips and Advice For Pros

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When I was in high school I found my moms old Nikon camera. I always wanted to get into photography but didn't know anything about it. So I got a job at a photo lab and took that camera with me everywhere. I'd bring the film into work the next day to see what I had learned and how the photos turned out. When prom time came around a bunch of my friends wanted me to do their prom pictures. So I borrowed a nicer camera from a friend and charged my friends to shoot their prom pictures. I made enough money to buy my first camera. After that it was a start of a dream

Since then I have done paintball photography for a world wide magazine, been a sports photographer, wedding photographer, school photographer, child photographer, and every kind of photographer in between. These are a list of sites I used when I first started out that I found to be invaluable.


www.photographytips.com
Great site that is some what member based. You can look around most of the site for free but if you want to access everything there is to see you can sign up online for only $5.00 a month. There are great articles on subjects from composition, to light, to how to use your flash. There are also some great galleries so that you can learn by example. Every page is filled with helpful information and numerous pictures that help explain the topic of the article.

www.photosecrets.com
This site may not be graphicly pleasing but it covers its bases. The tips are divided up into beginner, intermediate, and advanced. The beginner section covers topics like what kind of camera and film you should buy as well as how to take better pictures of people. he intermediate section talks about quipment, hot to tackle more complicated subjects, and travel photography. The advanced section is more about selling photos, more details about film, and the use of filters. The only thing I Don't like is there are no photos on any of the pages. I think a photography site should have pictures!

www.kodak.com
As one would expect this site covers everything that is photography. This site is easily to scroll through and has a wide variety of topics. Learn the best way to photograph your baby, take better vacation pictures, or photograph your pet. The site also covers topics like printing pictures, sharing pictures, and getting started in digital. The photographs on the site are great and offer some step by step examples of topics discussed in the articles. There are also interactive demos on different subjects that are worth checking out. You can even research information on
film and digital cameras.

www.photonhead.com
This site offers a great tool for the photographer who wants a better understanding of shutter speeds and f-stops. This is the hardest concept to grasp when starting out=t in photography. I know, Ive been there. No matter how many times its explained you just Don't quite get it. This site offers a tool where you can set shutter speeds ad and f-stops in any combination and see what the effect would be. You have a sample photo to your left and to your right you can see what it would look like with your f-stop and shutter speed combo. This is a great tool that helps you learn about f-stops, shutter speed, focal length, and depth of field.

www.betterphoto.com
This site offers online photography course for the photographer who wants to become a professional. The online classes are rated for skill level of the photographer. Classes usually include weekly assignments and have the course instructor personally look over your work. Course range from the business of photography to how to use photoshop and many other topics. Classes vary in price. A 8week class could be between $200-$400. If your aren't happy with your course by the third assignment there is a money back guarantee.

www.scphoto.com
This is one of the best sites I can recommend for young photographers who need direction. This site was created by a high school photography teacher. Its is a free lesson plan that offers homework for photographer. The best thing it offers is assignments on different areas of photography. There are assignments for learning magazine photography,lighting, concepts, and much much more. There are list of words and terminology you should new. Its basically a free high school photography class. I went through the whole lesson plan when I was teaching my self photography and highly recommend it.

Photosecrets.com


Photographytips.com


Kodak.com


Photonhead.com


Betterphoto.com